I did watch the Center Seat but your recollection is incorrect.
TAS was nominated for the 1974 Outstanding Children’s Show Daytime Emmy Award and won the 1975 Outstanding Entertainment- Children’s Emmy Award.
It also was nominated for Saturn Awards for the retro-release on DVD in 2007 and 2017.
I loved TAS when I watched it as a teen when it first ran.
I was beyond the age Saturday morning cartoons, but was so happy to have more Star Trek.
I was furious that older fans campaigned against the show to the point that NBC canceled it before more than the first six episodes of the second season were in production.
It still stands as the only Star Trek show to earn a ‘Best Series’ Emmy.
I hadn’t seen TAS in many decades when we picked up the DVDs for our kids (who are now in their late teens).
Given all the CGI and generally better animation in children’s programming, I wasn’t convinced that they would like it. But they took to it right away and it was very successful as an introduction to the franchise for them — more than 35 years after it was made!
One point, the number of frames on the animation, the movement only in the mouths during speech as well as the reuse of sequences was the only way to stay in budget in the 1970s.
The art direction was top-notch nonetheless. The original drawings, including some of the gorgeous mattes for alien planets and some of the new aliens are fantastic.
(I have some images to upload but that function seems to remain offline.)
Murakami is a theatre actor who has worked with the Royal Shakespeare Company in the UK.
IGN has details and a photo.
It seems logical that anyone who’s been alive eight centuries would have a unique way of speaking.
Works for me.
In the Relaunch novelverse, Kirsten Beyer did a great job with the post Nemesis return of Voyager to the Delta Quadrant starting with her book Full Circle.
The books exploring the post Dominion War Gamma quadrant on the other hand seemed to have promise initially, but petered out.
I think that this is a spoiler that I don’t want to know before the premiere.
I can see why they need to market it every way they can though.
Their rollout is definitely showing progress compared to the last five years. The ViacomCBS/Paramount management of the shows seems to have locked everyone down but the showrunners and provided them virtually nothing for promotion.
They really are having to push back against the naysayers though. There’s been nothing but complaints on other social media that the injured cadets couldn’t use their transporters to flit themselves to sickbay.
No one seemed to have heard The Doctor say the holoemitters were out so they were short of medics.
When I hear the same complaint over and over again, it’s clearly brigading copy pasta. I doubt most of them even watched the video clip.
I hope this clip helps to calm down all the fans out there who were outraged that Paramount’s marketing put out one key art poster targeted at another demographic.
It’s hard to know until someone reviews it.
This evokes a lot of mixed feelings.
On one hand, I have no interest in wrestling and cringe at anything related to it. I’m also super uncomfortable about anything related to WWE making its way into the aspirational Star Trek franchise.
When the early wrestling shows were on local television in my childhood, my parents explained it was all performance and not real sport. So, I have always associated it with a kind of fraud and grift.
I’m always extraordinarily uneasy when young children talk about wrestling heroes as it seems an unhealthy influence. It always seems to represent a demographic that we have nothing in common with. While I’m sure some of our kids heard about WWE at school, they never expressed any interest so there was no pressure to bring anything related to it into our home — for which we were very grateful.
So, the other hand, having this strong aversion to ‘professional wrestling’, when ‘The Rock’ Dwayne Johnson first made his dramatic acting appearance on Star Trek Voyager, I was so annoyed that I didn’t watch the episode.
I realize now that I let my strong bias against the performance of ‘wrestling’ get in the way of assessing an actor on his own merit.
I also recognize that Secret Hideout has been doing its best to bring in actors that will appeal to demographics that are likely to be critical of Starfleet Academy while retaining true diversity.
So, I’m going to try to swallow my aversion and wish this woman performer success as she tries to break out of the WWE circuit.
(I still think Paramount+ senior executives are trying to do everything they can to make our household drop our subscription.)
Even my GenZ kids ask for they physical media not the digital.
Our youngest was just this afternoon sincerely explaining to me why they want their Nintendo games as cards not digital copies.
I wish that McMahon hadn’t done that in Lower Decks and had left TNG Parallels as a one-off.
The thing is that the infinitely expanding manifold of temporal multiverses is a thought experiment in physics that doesn’t really have widespread support in physics. It also is inconsistent with how temporal mechanics are applied throughout the rest of the history of the franchise.
What SNW provides in Tomorrow and Tomorrow and Tomorrow is articulated even more clearly in Prodigy is closer to modern physics theory and is also the only way to make sense of creative choices that Gene Roddenberry dictates for the TNG Pilot ‘Encounter at Farpoint.’
When Roddenberry dictated that TNG would set World War III in the mid 21st century he also dictated that TNG and TOS are in the same timeline. That’s only possible if the franchise goes with the robust River of Time version of the physics that SNW and Prodigy articulated.
That is, there can be major forks or branchings at critical events but the smaller perturbations do not in themselves create new timelines. A Mirror Universe or Kelvin universe can be created but they are limited in number and not infinitely dividing at each and every minor decision point.
Instead, as long as key major events happen and they happen in the same order, then a timeline is preserved. Otherwise, our heros’ actions in saving the continuity WOULD NOT MATTER in any number of episodes and movies because the timeline where they fail would also exist.
So, as long as Cochrane’s ship gets to demonstrate the warp drive at the right moment such that First Contact occurs, then the Prime Timeline is preserved. There are not two parallel ones with and without the Enterprise crew onboard with him or one where the Borg were successful in stopping human contact with Vulcans.
Likewise, there isn’t a TOS version of the timeline where World War III took place at the end of the 20th century after the 1990s Eugenics War. Instead, that event has shifted back and forth in time as the Romulans have attempted to impede human development with temporal incursions and Federation temporal agents have worked to counter them.
I’ve done it through DDG on my phone. Still get weird thumbnail.
When I can get on desktop, I can try again but it really makes me wonder about CBR.
Even with the now corrected link, it still wants to show the image from the ad.
I stripped the tracking code from the end but the other image won’t clear.
Corrected it. I initially seemed to have picked up the ad instead of the actual interview.
I’m not sure why anyone ever thought it would be?
Other than the naysayers who were looking not to like it and had to be ‘shown otherwise.’
Even Prodigy ended up an ‘all ages’ show.
Not saying you’re one of them, it’s unfortunate that the new shows seem to have to push against negative labels and narratives that are brigaded before the first casting announcements.
In this case, despite the idea of an Academy show kicking around since the 1970s, it was fairly clear that no senior network/streamer executive were ever going greenlight it until someone came up with a concept that was more than a college soap in the Star Trek universe.
What I didn’t expect was for the other perennial ‘failed to make it to pilot’ franchise idea of a hospital show also got rolled into it. That’s one that Roddenberry first tried to spin off with M’Benga in the second season of TOS.
I’m finally getting back to this.
Had a work push and then a virus. I really find I have even less attention for listening and podcasts when I’m ill.
One thing that I’ve figured out is that the audio quality varies widely depending on the service one is getting podcasts from or the delivery app.
The base recording is excellent and the sound effects are there. Some of the players have so much noise that you’d never realize that.
In any event, I tried out different players and found that Cassidy’s delivery was much less mumbly on better audio players regardless of being on the same device.
Something to consider when getting podcasts even through open source players.
We can disagree on that.
I will never love TMP but I will never claim it’s not Star Trek.
I agree. These folks have no perspective or are dishonest with themselves.
I can acknowledge that it can be jarring, and it can take time to accept a major visual design update.
I felt that in 1979 as I sat in the theatre watching Star Trek: The Motion Picture.
I had no heads up whatsoever that the Klingon design had changed. I was completely confused in the opening scenes with the Klingons. I couldn’t figure out what species they were.
But I got over it. Quickly.
I still think TMP is disappointing, long boring movie that rehashes the Nomad plot from TOS. The Klingon redesign wasn’t its problem though.
The reason why you aren’t finding it on the main Emmy site archive is because in the 1970s children’s programming was grouped with the ‘Daytime Emmy’ awards regardless of when a show was broadcast.