Why is the tweet surrounded by what looks like a stainless steel bowl displayed under disco lighting?

In much simpler terms:

Think of an IP address like a street address. 192 My Street.

There might be multiple businesses at one street address. In real life we address them with things like 1/192 My Street and 2/192 My Street, but there’s no direct parallel to that in computer networks. Instead, what we do is more like directing your letter to say “Business A c/o 192 My Street”. That’s what SNI does.

Because we have to write all of that on the outside of the envelope, everyone gets to see that we’re communicating with Business A. But what if one of the businesses at 192 My Street is highly sensitive and we’d rather people didn’t know we were communicating with them? @bjoern_tantau@swg-empire.de’s proposal is basically like if you put the “Business A” part inside the envelope, so the mailman (and anyone who sees the letter on the way) only see that it’s going to 192 My Street. Then the front room at that address could open the envelope and see that the ultimate destination is Business A, and pass it along to them.

I just took a really quick look at it, but under Importing data from Nominatim it says “-country-codes allows to filter the data to be imported by country. Set this to a comma-separated list of two-letter language codes.”

That’s a different section from the Importing data from a JSON dump section, which is where it only mentions -country-code. But even that does seem to suggest it takes “all the parameters of an import from a Nominatim database”. So it seems like either the documentation for one of them is wrong, or both are lacking (because in fact both the singular and plural work).

Sub Rosa is worse than Code of Honor. CMV.

If you do not configure anything, then Reitti will skip Geocoding and only display Unknown Place.

Ah ok thanks. This is what I was wondering.

Two follow-ups:

Can you specify multiple COUNTRY_CODEs? (and if so, is the method

environment:
  - COUNTRY_CODE=country_one
  - COUNTRY_CODE=country_two

or

environment:
  - COUNTRY_CODE=[country_one, country_two]

or something else?)

And is this something that can seemlessly be retroactively changed? For example, if I set COUNTRY_CODE=au and it works fine for Australia, but then I move to NZ, can I add (assuming the answer to my first question is yes) or change to COUNTRY_CODE=nz and have all the NZ locations work on the already-recorded data, even if I made that change to my configuration after I had been in NZ for a few months?

Is that true even if you’re not in hybrid mode?

I don’t actually have any personally. I’m still with Google Photos for now and hadn’t decided what to switch to, with Immich, Nextcloud, and the non-open Synology Photos being the top of my list. Legitimately, what a tool like this supports could be a factor I use to help decide.

How complicated is the code interfacing with Immich? Is it a piece someone not familiar with your overall code base could relatively easily pick up and make a pull request for?

I love that it supports multiple formats for important location as well as multiple geocoders. But that makes me wonder, would it be feasible to support multiple image libraries? There’s a bunch of different FOSS photo libraries out there. I think Nextcloud is the main other one I’ve heard about ‘in the wild’, as it were. Or is there too much bespoke Immich code in there for that to be a simple plug-and-play option?

Oh interesting. I’ve just read through that link, and I was assuming that something similar to the “external only” option would have been the only way it worked. More specifically, I thought it’d just store a list of historical points and display those on an OSM overlay. But it seems like even “external only” is much more involved than that.

What happens with self-hosted Photon if you specify a country, but then also visit another country? (I assume in hybrid mode it’s as simple as "use Photon in your country, use Nominatim otherwise?)

But yeah, definitely sounds like a Pi is probably not gonna cut it. I’ll have to see if my Synology can do it, or if the weird OS restrictions Synology imposes prevent it.

Fuck yeah this is awesome! The detail of Immich integration is just the icing on top of an awesome cake!

How demanding is it on server resources? Am I likely to be able to run it on an old Raspberry Pi that’s also running a couple of other relatively light tasks? How much storage does it end up using over time? I’m probably going to try and get it running either on my Pi or my Synology NAS, though the latter has had issues with Docker containers in the past depending on the container’s dependencies…

It’s also why the anti-trans argument makes absolutely no sense in chess. Like, in sports there’s some room for nuance because cis men do have a huge advantage in most sports of cis women, and depending on the sport and the stage of transition, that can carry forward to trans women. It’s fucking hard to have that nuanced conversation because 95% of the time it gets drowned out by transphobes, but there’s still something to talk about.

But in chess? Nobody is arguing there’s any inherent biological advantage. The only reason for gendered tournaments is to create a safer space for non-men to compete in a male-dominated pastime. The only argument for excluding trans women from the Women’s category in chess is transphobia. It’s a real “mask off” moment for all the TERFs claiming it’s about “integrity in sport” (Jesus fuck, writing that out made me realise how similar this all is to gamergate and the birth of the alt right).

A lot of tournaments in HEMA (historical European martial arts—think fencing, but with bigger, older styles of swords than what they use at the Olympics) around where I lived have started using an “Underrepresented Genders” (URG) category alongside the Open category, instead of Women’s. It’s functionally not much different from having a Women’s category that also accepts trans people (important possible difference: it accepts trans men as well as trans women, and enbies), but the name helps make it clearer. I quite like that as a concept.

Fair point, actually. Not sure whether a screen reader would read the image description or Community first on the Lemmy homepage.

I would amend that slightly to

The wizard’s face has been replaced by that of Benjamin Sisko from Star Trek: Deep Space 9

To be more specific about precisely who it is so it’s clear from the caption that this is a Star Trek reference. (I’m not sure just the name “Sisko” is good enough.)

Or alternatively, I would change it in precisely the opposite way and describe him as being “a black man with a goatee”, to describe just the visual inputs that a sighted person would experience when looking at the image, and let the reader infer who it is the same way a sighted person would.

But I definitely prefer the more specific option.

This post was actually made significantly better for me by the fact that the thumbnail did not appear. So I read the title entirely, and saw what community it was in, before seeing the image. I knew half of what I was about to get (Sisko in the Pondering My Orb meme), but the baseball was unexpected and actually made me snort out loud.

Most of this comment was my own speculation based on the details they’ve shared publicly. The details I know of publicly are:

• The seem to be profitable. Or at least in a relatively sustainable place; they talk about profit a lot, but usually in terms of how the “profit” is split between creators. I forget, maybe the Wendover “history of Nebula” video from a while back talked more specifically about profitability?
• They’re choosing not to take outside investment. This is something the CEO, Dave Wiskus, talked about particularly with respect to the Lifetime subscriptions, describing those as their option for building up the sort of large amounts of cash that they might otherwise have gone to outside investment for, in order to fund bigger projects
• The fact that they are, quite visibly, expanding their range of content

The rest was me speculating about how the business model would seem to work based on those factors plus my limited, layperson’s, understanding of their industry.

I will check these out

FWIW the specific channels I recommended were mostly based on stalking your user profile and grabbing a couple I thought might interest you based on that. But I didn’t have much to go on from your Lemmy history specifically. They weren’t necessarily the first ones I’d recommend to someone in the general public, or to someone whose interests I knew better.

if only I could figure out how to use peertube

From my experience trying Peertube, its biggest problem for now is just…the server infrastructure of existing instances isn’t very good. I got really bad buffering. Maybe better server-side encoding could have helped with that. Maybe they need stronger server hardware with better outbound network connections. Maybe I just need to find a more locally-hosted instance to me. Maybe it’s something else. But the user experience was really not good. Which is a shame. As nice as Nebula’s sort of worker-owned co-op model is, true federated video would be really nice for those of us not privileged enough to become a member of the exclusive club. YouTube being basically the only real option really sucks, and I’m sick of alternative options like Gfycat dying off and losing all their content.

From everything I’ve heard, they’re already profitable, and are explicitly choosing only to grow in a sustainable way, without taking on outside investment which could force them into enshittifying down the line. With a relative lack of need to show extreme growth, and a lack of reliance on outside factors like advertising (being subscription-based), the only major risk that I can see for them long-term is user churn. Which is definitely a risk, but with the ever-creeping growth of the range of content they have and (at least for now) an attitude of being customer-friendly, churn seems a relatively low risk.

As far as I can see, at worst, the platform dies if the YouTube channels of the people on the platform die because of the YouTube algorithm, and they get bad churn (with fewer new subscribers because of the aforementioned dead YouTube channels at the top of the funnel), and they don’t get new more successful channels on before that happens. A scenario that’s far from unlikely, but which I would describe as “catastrophic, whether or not Nebula exists today”, so its existence for now as a hedge against more likely bad scenarios is still worthwhile.

I’ve never heard of dropout or nebula. At all

I must admit, I find that astonishing. Not that the average person on the street wouldn’t have heard of them, but that someone online enough to be having these sorts of conversations wouldn’t have.

Are you familiar with CollegeHumor, perhaps? After their corporate owners got screwed around by Facebook’s pivot to video (and the fraudulent data involved), they were going to shut down CH entirely until the head of the creative group reached an agreement to buy it out, and under his ownership he created the private streaming service Dropout. Today it’s mostly entirely private, with promotional content like the occasional episode or clips uploaded as Shorts put onto YouTube.

Nebula got its start as a sort of multi-channel network owned by and for YouTube creators, to avoid many of the big pitfalls that MCNs became known for. Its earliest more well-known members are Sam from Wendover/Half As Interesting, Brian from Real Engineering, Colin from CGP Grey, and Philip from Kursgesagt. The latter two later left over “creative differences” (leaks have seemed to imply, basically, that they wanted to keep it a small elite group at the core which could profit from increased growth while adding more creators, while the rest of the people then involved wanted a more equitable arrangement). It’s since grown to way too many channels to name, but if you’re interested you can see the full list here. A few choice selections might include tech reporter TechAltar (whose recent “1 month without US tech giants” and the Nebula Plus follow-up “Which alternatives am I sticking with?” video are reminiscent of the one this thread is about), astrophysicist Angela Collier, Canadian cultural commentator J.J. McCullough, history & video game design analysis channels Extra History & Extra Credits, TLDR News, human geography (with a focus on conflicts) from RealLifeLore. Linus from LTT has talked about Nebula once or twice, though his commentary on it gets wildly wrong, claiming it was a sort of pump & dump scheme where the main goal was to sell to private equity or something, seemingly because he’s projecting his own techbro capitalist attitude onto them. As I sort of mentioned above, Nebula basically serves as an uber-patreon. You pay a single subscription fee (when I signed up it was $30 per year, but it may have changed) to get mostly content that could be gotten for free (but with ads) on YouTube, plus some bonus content, some stuff a bit earlier, and a few Nebula Originals. Lindsay Ellis might be the most notable one there. Since getting harassed off the Internet by Twitter, all her videos have been Nebula Originals apart from 2 promoting her new book.

Neither of these are really meant to be a complete YouTube replacement, but rather a way for them to create more control over their stuff and get the stability of knowing they aren’t relying on the fickle YouTube algorithm (and the whims of YouTube censorship).

It’s not easy, but you’re not guaranteed to end up

either lose your shirt, sell your business, or become entrenched in a position whose inertia is difficult to break

It depends on the personalities involved and the business model they go with.

Nebula has done really well with consistent growth as a premium offering where people pay one subscription fee to get ad-free videos from exclusively high-quality creators across a quote broad range of niches, in addition to bonus extras and Nebula Originals.

Dropout seems to have a lot of success with a range of mostly unscripted comedy, centred around a core cast of trusted comedic actors with a larger range of guests.

Floatplane, on the other hand, seems much less successful, probably owing to its business model being basically Patreon’s, but only for video. Instead of the wide range of content you get for surprisingly reasonable amounts of Nebula and Dropout, Floatplane ends up looking very expensive if you want to support more than one or two creators. Plus the creators on it haven’t got the same degree of trust; it ends up reeking of the sort of techbro vibes that people are explicitly trying to get away from.

Well, there is Nebula, which is kinda like that. But most of them also put their videos on YouTube, using Nebula as the premium ad-free option with a little bonus content.