

Announcing Star Trek: Sisko… A limited run series about Jake running his grandfather’s restaurant after achieving a small amount of literary fame.
Aww, now I’m sad Tony Todd is dead.
Announcing Star Trek: Sisko… A limited run series about Jake running his grandfather’s restaurant after achieving a small amount of literary fame.
Aww, now I’m sad Tony Todd is dead.
This sounds like a great beta canon novel plot.
Exactly. DEI as a term is just a lightning rod for idiots at the moment so maybe you just publicly stop calling it that and keep everything else the same.
I dunno how to interpret this honestly. On its face this reflects poorly on Paramount, but we live in an oligarchy and I don’t really blame them for trying to avoid pissing off the volatile baby that runs this country when DEI can still be achieved without using that terminology directly.
Is there evidence that this division of their corporation was actually doing anything different than before the term DEI even existed? Or that Paramount has current issues with diversity?
Yeah, at least they don’t violate conservation of matter like the Dooplers appear to.
I never really thought about it, but you’re right, the Dooplers are too over the top and only make sense in a cartoon context.
The Pandronians from TAS and LD (the species that effectively have three independent parts) also make no sense outside of a cartoon.
Yes? It’s been renewed, and should premiere this year.
Sorry, I don’t care what Kurtzman says about this (or an actor that is obliged to defend a project he was in) when it’s justifying putting out schlock for mind share. If that’s the best we can do, let it die - it doesn’t make anything that exists any worse.
Trek needs a good show that stands alone and isn’t aimed at us but a fresh audience. That means no cameos, limited references, not animated (that is a stigma as much as I love LD), and actually taking the time to get people invested.
Basically, they needed Discovery to not be garbage. I know non-Trekkies that were actually excited for a new sci-fi romp and got turned off almost immediately by the nonsense writing. Not the cast, or stupid out of universe concerns about being “woke” or some shit, just plain out “this makes no sense and isn’t fun to watch” and it was hard to disagree.
Everything since then has lived in Discovery’s shadow in terms of new audience and has mostly dealt with that by being aimed at fans of 90s Trek and nobody else. Prodigy may be an exception here, but that suffers from being oriented at kids.
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I used mutt back in the day, opening vim for message editing.
I wouldn’t do a mailing list these days, but as someone who spent the early part of my career interacting with devs that preferred this method, it’s actually pretty ergonomic by a 2005 standard. A message thread aware, text based email client that can turn messages into patches in a keystroke makes it actually pretty comparable to modern code review…
I think it’s hard for younger devs to get this because they’re used to email being stuck in a crappy, unthreaded browser interface or Outlook etc. (which are terrible for mailing lists) and most collaboration taking place in code review and chat platforms like Teams/Slack but for decades before these were feasible, email was the way…
These are such great episodes. The Enterprise one specifically is amazing. We so often see our valiant crew save Earth, but they almost never sacrifice their morals to do so.
For Archer, with practically all of humanity in the balance, how could he not fuck those guys over?
Well said. Especially agree on point one. I’m not a fan of the Discovery era characterization of Section 31, but ultimately there was no reason they had to be related to this movie at all. Georgiou had plenty of personal reasons to deal with this and to have a collection of ne’er-do-wells on hand without any involvement from Starfleet / S31.
Everyone with glasses is either a hipster or allergic to Retinax V